La representación del cuerpo post-orgánico en la cinematografía: Magnetic Rose de Koji Morimoto

This article offers an approach to the representation of the post-organic body in the cinematographic narrative, featuring an analysis of the film Magnetic Rose (1995) by Koji Morimoto. Moreover, it tries to present a theoretical reflection about an issue that is inherent to the construction of subj...

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Autor Principal: Rodríguez Jiménez, Leda
Formato: Artículo
Idioma: Español
Publicado: Escuela de Lenguas Modernas, Universidad de Costa Rica 2013
Materias:
Acceso en línea: http://revistas.ucr.ac.cr/index.php/rlm/article/view/12672
http://hdl.handle.net/10669/23468
Sumario: This article offers an approach to the representation of the post-organic body in the cinematographic narrative, featuring an analysis of the film Magnetic Rose (1995) by Koji Morimoto. Moreover, it tries to present a theoretical reflection about an issue that is inherent to the construction of subjectivity: the inescapable relation human being-machines, established from the industrial era and the big leap forward it has taken in the information era.