EN EL SÉPTIMO CÍRCULO DE DANIEL GALLEGOS: NOTAS PARA UNA LECTURA ESCÉNICA NEO-EXPRESIONISTA

This paper first of all speaks about the dramatic of Latin-American theatre and the place of Daniel Gallegos playsinside this possible corpus, defined under the concept of “classics latinamerican theatre”. It begins a brief discussionabout the place of the different dramaturgies of countries and reg...

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Autor Principal: Thenon, Luis
Formato: Artículo
Idioma: Español
Publicado: Universidad de Costa Rica 2013
Materias:
Acceso en línea: http://revistas.ucr.ac.cr/index.php/kanina/article/view/6469
http://hdl.handle.net/10669/20893
Sumario: This paper first of all speaks about the dramatic of Latin-American theatre and the place of Daniel Gallegos playsinside this possible corpus, defined under the concept of “classics latinamerican theatre”. It begins a brief discussionabout the place of the different dramaturgies of countries and regions of Latin America and their reduce circulationand escenification us an integrated corpus, it gives a result of very few cultural interchange in the continentaldramaturgic level. The election of Daniel Gallegos play for a new escenification with the National Companyof Theatre in Costa Rica in the context of FIA (International Festival of Arts) express the relation between thedramatic text and the representation, under the election of a neo-expressionist esthetic. Finally it speaks about a playconstruction since to En el Séptimo Circulo drama.