The Space and Time Between

AbstractThe field of architecture continues to find itself in deeper and deeper discourse with other disciplines, yet these relationships continue to be blurry and uncertain. Using the framework of corporeality established by Walter Benjamin in his 1936 text, The Work of Art in the Age of Mechanical...

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Main Author: Beighle, Kory A.
Format: Artículo
Language: Inglés
Published: 2015
Subjects:
Online Access: http://revistas.ucr.ac.cr/index.php/revistarquis/article/view/14632
http://hdl.handle.net/10669/13705
id RepoKERWA13705
recordtype dspace
spelling RepoKERWA137052017-08-08T18:50:29Z The Space and Time Between Beighle, Kory A. arquitectura pel?cula pr?ctica disciplinaria corporalidad architecture film disciplinary practice corporeality AbstractThe field of architecture continues to find itself in deeper and deeper discourse with other disciplines, yet these relationships continue to be blurry and uncertain. Using the framework of corporeality established by Walter Benjamin in his 1936 text, The Work of Art in the Age of Mechanical Reproduction, this study will consider the tenuous intersection of the author of a work, the experience of that work and the tools that are used to bring the work into being, within the mediums of architecture and film. Additionally, this study will discuss the emphasis such a juncture places on the expressions of space and time, both critical factors in the experience of reality. To establish a backdrop for this discussion, a comparison of the two fields will be laid out and traditional limits of both disciplines will be considered. Jumping off from this comparison specific architectural and filmic works will be discussed that directly challenge traditional models of production and consumption. Explorations of projects such as Diller + Scofidio (+Renfro)?s built work Blur (2002) and Abbas Kiarostami?s film Taste of Cherry (1997), will highlight specific methodologies for questioning the blurred zones beyond disciplinary practice ? the space and time between. These works offer insight into these regions beyond traditional discourse, exposing new potentialities for exploration and models for disciplinary intersection.?ResumenEl campo de la arquitectura se encuentra en un proceso de discurso cada vez m?s profundo con otras disciplinas, pero estas relaciones son ambiguas e inciertas. Usando el marco de corporalidad establecido por Walter Benjamin en su texto de 1936, The Work of Art in the Age of Mechanical Reproduction, este art?culo estudiar? la intersecci?n tenue entre el autor de una obra, la experiencia de la obra y las herramientas utilizadas en su creaci?n, en los medios de la arquitectura y el cine. Adicionalmente, se analizar? el ?nfasis que tal intersecci?n impone sobre las expresiones de espacio y tiempo, ambos factores cr?ticos para la experiencia de la realidad. Para establecer un tel?n de fondo para esta discusi?n, se har? una comparaci?n entre los dos campos y se considerar?n los l?mites tradicionales de ambas disciplinas. Con base en esta comparaci?n, se discutir?n obras espec?ficas de arquitectura y cine que desaf?an los modelos tradicionales de producci?n y consumo. Exploraciones de proyectos como la obra construida Blur, de Diller + Scofidio (+Renfro) (2002) y la pel?cula de Abbas Kiarostami?s Taste of Cherry(1997), enfatizar?n metodolog?as espec?ficas para cuetionar las zonas borrosas y ambiguas entre la pr?ctica disciplinaria, el espacio y el tiempo. Estas obras ofrecen hallazgos que van m?s all? del discurso tradicional, exponiendo nuevas potencialidades para exploraci?n y modelos para la intersecci?n disciplinaria.? 2015-05-28T21:38:47Z 2015-05-28T21:38:47Z 2014-05-25 19:07:20 2015-05-28T21:38:47Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://revistas.ucr.ac.cr/index.php/revistarquis/article/view/14632 http://hdl.handle.net/10669/13705 en RevistArquis Vol. 3 N?m. 1 2014 - application/pdf
institution Universidad de Costa Rica
collection Repositorio KERWA
language Inglés
topic arquitectura
pel?cula
pr?ctica disciplinaria
corporalidad
architecture
film
disciplinary practice
corporeality
spellingShingle arquitectura
pel?cula
pr?ctica disciplinaria
corporalidad
architecture
film
disciplinary practice
corporeality
Beighle, Kory A.
The Space and Time Between
description AbstractThe field of architecture continues to find itself in deeper and deeper discourse with other disciplines, yet these relationships continue to be blurry and uncertain. Using the framework of corporeality established by Walter Benjamin in his 1936 text, The Work of Art in the Age of Mechanical Reproduction, this study will consider the tenuous intersection of the author of a work, the experience of that work and the tools that are used to bring the work into being, within the mediums of architecture and film. Additionally, this study will discuss the emphasis such a juncture places on the expressions of space and time, both critical factors in the experience of reality. To establish a backdrop for this discussion, a comparison of the two fields will be laid out and traditional limits of both disciplines will be considered. Jumping off from this comparison specific architectural and filmic works will be discussed that directly challenge traditional models of production and consumption. Explorations of projects such as Diller + Scofidio (+Renfro)?s built work Blur (2002) and Abbas Kiarostami?s film Taste of Cherry (1997), will highlight specific methodologies for questioning the blurred zones beyond disciplinary practice ? the space and time between. These works offer insight into these regions beyond traditional discourse, exposing new potentialities for exploration and models for disciplinary intersection.?ResumenEl campo de la arquitectura se encuentra en un proceso de discurso cada vez m?s profundo con otras disciplinas, pero estas relaciones son ambiguas e inciertas. Usando el marco de corporalidad establecido por Walter Benjamin en su texto de 1936, The Work of Art in the Age of Mechanical Reproduction, este art?culo estudiar? la intersecci?n tenue entre el autor de una obra, la experiencia de la obra y las herramientas utilizadas en su creaci?n, en los medios de la arquitectura y el cine. Adicionalmente, se analizar? el ?nfasis que tal intersecci?n impone sobre las expresiones de espacio y tiempo, ambos factores cr?ticos para la experiencia de la realidad. Para establecer un tel?n de fondo para esta discusi?n, se har? una comparaci?n entre los dos campos y se considerar?n los l?mites tradicionales de ambas disciplinas. Con base en esta comparaci?n, se discutir?n obras espec?ficas de arquitectura y cine que desaf?an los modelos tradicionales de producci?n y consumo. Exploraciones de proyectos como la obra construida Blur, de Diller + Scofidio (+Renfro) (2002) y la pel?cula de Abbas Kiarostami?s Taste of Cherry(1997), enfatizar?n metodolog?as espec?ficas para cuetionar las zonas borrosas y ambiguas entre la pr?ctica disciplinaria, el espacio y el tiempo. Estas obras ofrecen hallazgos que van m?s all? del discurso tradicional, exponiendo nuevas potencialidades para exploraci?n y modelos para la intersecci?n disciplinaria.?
format Artículo
author Beighle, Kory A.
author_sort Beighle, Kory A.
title The Space and Time Between
title_short The Space and Time Between
title_full The Space and Time Between
title_fullStr The Space and Time Between
title_full_unstemmed The Space and Time Between
title_sort space and time between
publishDate 2015
url http://revistas.ucr.ac.cr/index.php/revistarquis/article/view/14632
http://hdl.handle.net/10669/13705
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